![]() ![]() The song was released as the B-side of "Success" in October 1977, but failed to chart. RCA Records issued Lust for Life on September 9, 1977, with "The Passenger" as the fourth track on side one of the original LP, between "Some Weird Sin" and " Tonight". Reviewers characterize the track as garage rock and proto-punk. Tom Maginnis of AllMusic described the music as a "laid-back . ![]() Biographer Paul Trynka states that the song was "a simple celebration of life", of the "long walks" Pop would take growing up and his own reputation at the time. I didn't have a driver's licence or a vehicle". In an interview with The Guardian in 2016, Pop said "The Passenger" was partly inspired by touring with David Bowie: "I'd been riding around North America and Europe in David's car ad infinitum. The lyrics have been interpreted as "Iggy's knowing commentary on Bowie's cultural vampirism". They were inspired by a Jim Morrison poem, titled "The Lords", that saw "modern life as a journey by car", as well as rides on the Berlin S-Bahn, according to Pop's former girlfriend Esther Friedmann. Similar to other tracks on Lust for Life, the lyrics for "The Passenger" were mostly composed on the spot in the studio. Bowie, Pop, and producer-engineer Colin Thurston produced Lust for Life under the pseudonym "Bewlay Bros.", named after the final track on Bowie's 1971 album Hunky Dory. ![]() ![]() The lineup consisted of Pop, Gardiner, David Bowie on piano, Carlos Alomar on guitar, and brothers Tony and Hunt Sales on bass and drums, respectively. #Iggy pop passenger lyrics fullGardiner thought of the riff in early 1977 as he was wandering throughout the countryside, "in the field beside an orchard, on one of those glorious spring days with the trees in full blossom." The song was recorded at Hansa Studio by the Wall in West Berlin between May and June 1977. A star of hard rock."The Passenger" was co-written by Iggy Pop and guitarist Ricky Gardiner the former wrote the lyrics while the latter composed the music. Iggy Pop’s “la la la la la la la la” is the intentional mystery that shows the artist to be a disordered but coherent chaos. His train journey, which is always the same yet always surprising (as the starsĬome out), Pop grows more and more excessive, but always remains himself. Nomadic tendencies and his immense sense of freedom, full and deep,Įngraved with the feelings he screams out in his music. What does he also want? He want to stray, to embrace his excesses, his Repeated because this is what he wants – just like with the friendship withīowie, his long journeys, and that night-time view from behind the glass window Real Iggy: a riff of repeated syllables that can mean everything, but that are It is sung lightly but in a decisive way, as this is the Journeys the two took together in David’s car, towards infinity.Ĭhorus, that “la la la la la la la la,” says everything about this life,Įverything about Pop. Iggy says that The Passenger was also written while thinking about the A relationship, Bowie-Pop, of union and mutual understanding. On an American tour, the two, in addition to being arrested for possession of marijuana, sat on the back seats, listening to cassettes and talking about music. ![]()
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